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Life
is a stormy sea of circumstance and chance filled with twists and
turns, highs and lows and peaks and valleys- everyday is an adventure
because you never know what's going to happen next; you never know
what tomorrow's going to bring and the day after is always a mystery.
Take the career of Canadian metal band Slaves On Dope for example.
They rode a fast wave towards success and then wiped out off the swell
before having a chance to peak. But, like any determined people, they
got back up, shook the sand from their hair and went back out to temp
fate once again.
Slaves On Dope [Jason Rockman-Vocal; Frank Salvaggio-Bass; Rob Urbani-Drums
& Kevin Jardine-Guitar] formed ten years ago in Montreal, Canada where
they earned their bones as a solid live band. They soon headed for
LA where they shopped their 6-song EP in hopes of landing a recording
contract. They played the LA circuit and soon got the attention of
Sharon Osbourne who approached the band in early 2000 and offered
them a deal with Divine Records as well as a spot on coveted Ozzfest
2000 tour. It was a dream come true and for Slaves on Dope the decision
was a no brainer.
By the summer of 2000 Slaves On Dope were suddenly living their dream,
they were the first act signed to Divine Records and were garnering
a huge buzz while playing Ozzfest's 2nd stage. Although they never
had a 'radio hit' the virtually unknown band emerged from that tour
as one of the most exciting and talked about new bands of the summer.
Riding
the buzz from Ozzfest the band released their Divine Records debut,
"Inches From Mainline" and it was expected to be huge, but their wave
came crashing down and the good turned bad just 4 months later. Priority
Records, which was Divine's parent company, folded causing the Divine
label to go down with it leaving Slaves On Dope hanging in the breeze.
"That's business, that what happens," modestly states Slaves frontman
Jason Rockman who could only watch helplessly as his label fell into
the dark waters of circumstance. "We only had about 4 months of solid
support on the record and then all of a sudden the label folded so
we were kinda stuck. When you don't have someone on the other end
supporting you it gets kinda tough."
Slaves On Dope would still tour in support of their album that year,
but with no label to back them their buzz would slowly dissolve into
the background and the band would fade with it. Rockman and the boys
would have no choice but to start all over again; they would have
to go back to the drawing board and search for a new label to sign
them. Instead of dwelling on their misfortune they viewed their situation
as challenge that would ultimately make them stronger and force them
to be better than before. "A lot of times when you're going through
painful stuff good stuff will come out of it," Rockman said. "We definitely
grew in the last year and a half, we had a lot of ups and downs and
it made for a lot of good music."
The band never stopped writing and recording music as they shopped
around and showcased for new labels. Rockman poured his frustrated
feeling into his lyrics and his music served as a therapeutic outlet
for his emotions. He soon penned songs such as "Go" and "Drain Me"
which were recorded on their demo. The demo, recorded in L.A. was
produced and mixed by Troy Van Leeuwen (A Perfect Circle) and Jason
Slater (Snake River Conspiracy) and on the strength of those recordings
Slaves On Dope would ink a deal with Beiler Brothers Records, an affiliate
of MCA in 2002. "It's a small label, but that cool cus' we feel like
the big fish in the small pond," gleams Rockman, "we feel like we're
being taken care of. There a great bunch of guys over there and it's
a nice place to be."
Slaves On Dope are finally ready to hit us with their follow up to,
"Inches From Mainline" in Spring 2003 and Rockman and his mates are
extremely stoked to get back into the swing of things. "The whole
record is done and in the can.. It's being mixed right now," says
Rockman who also admitted that he is feeling the pressure of the sophomore
jinx. "This record is really important to us, I mean every second
record is important for every band and we just want to have a good
go with this second album. The whole theme of this record is about
finding yourself again and getting back on that horse and that's just
what we're doing."
Rockman promises that this still untitled record will feature plenty
of balls-out hard edged metal but will also show some growth and diversity
as some tracks are more melodic and radio friendly. "This record has
a lot more melodic stuff on it, but because of the subject matter
it brings more of a dark tone to it," explains Rockman, "We're definitely
gonna reach a lot more people with this record than we did on the
last one."
Songs on the album include: "Go," "Pattern," "So Clear," "Drain Me,"
"The Plan," "Casualty Of Me," "Poster Boy," "September," "Only Hero,"
"Caffeine Love Affair," "Colombian Ascot," "Drag Down," "Quitters
Inc." and "Glass Friend." "We have so many sides to us," Says Rockman
of the bands dynamics, "we can go into so many directions. Songs like
'Caffeine Love Affair' and 'Colombian Ascot' are just brutally heavy
and I know our core fans will love those."
"So Clear" will possibly be the first single off the new album and
also stands as a very personal track written by Rockman during a rough
time in his life. "That song is about being in a relationship and
you just have to get out of it," he explains. "As much as you think
you can make it work it just isn't gonna work and that whole realization
when you know that it just isn't gonna happen becomes really clear.
That's what that's songs about and it's a real personal one for me."
So, now with a new label, new management and a new album Slaves On
Dope are beginning a new chapter in their unique career proving that
you can loose it all and with hard word work and determination you
can get it all back again. But, be careful, because you never know
how the tide's going to rise tomorrow.
©
1998-2003 Sinbad Productions / BallBusterHardMusic.com
No Material, Written, May Be Reproduced Without Permission From SinBad
Prods/Communciations and or the Recording Artist and Their
Representation
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