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Burner
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| By
Tate Bengtson
Butt kicking hard rock that swaggers and staggers with whiskey-soaked
confidence and aggression. The memorable southern-fried 70s rock riffs
and gruffly melodic vocals (not to mention more than few deathly
backing
growls) bring to life the catchy songwriting in a way that has me
thinking of Clutch (in the instrumental department at least; as
Burner's
lead vocalist, Clint Denny, goes for a more traditional delivery in
contrast to that offered by Clutch's inimitable Neil Fallon) mixed with
Halfway to Gone and even a bit of Orange Goblin at its barroom brawlin'
best. The band is in top form on the midpaced, soulful drive of "Five
Pills (and a bottle of whiskey)", where suave riffing and powerful
vocal
melodies feed off each other, occasionally dipping into psychedelic
wah-wah trippiness that contrasts nicely with the more aggressive tenor
of the majority of Burner's music. But for the most part, Burner sticks
to a pounding uptempo rock format with plenty of rhythmic torque,
brawny
riffs, and catchy hooks. The one factor that doesn't seem to jive are
the death metal styled backing growls which are particularly evident on
songs like "No Regrets" and, to a lesser extent, on "Empty." While
perhaps adding a bit of extremity and uniqueness to the performance, at
the same time the match between that approach and Denny's much more
melodic delivery lacks chemistry. At the same time, this remains a
relatively minor problem in the greater scheme of things, as they are
used in moderation. Good hard-hitting rock with heavy guitars and
powerful vocals, and the ability to write memorable, catchy songs
without even the faintest glimmer of trendiness infecting the album.
It's a classic sound. For a reason. And Burner nails it with conviction
and consistency.
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