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Brothers of Conquest
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| By
Vinnie Apicella
Took me about ten
minutes, maybe another track or two to convince myself that sticking to
the press release and calling them a cross between Danzig and Manowar
is
just too preposterous… can you imagine? But the more you listen…
They're a precursory Punk and classic era Metal hybrid, the former
faintly readable around the occasional "whoa, whoa, oh oh's" with an
'81-'83 Power Hour clasp that takes ya back to yer fave vintage vinyl
idols. And hey, it's a black day when the short-lived Hookers, previous
to The Rock N' Roll Outlaw's (that would be the "voice" churning back
behind the bullhorn) forming his fight or die fivesome. Well The
Hookers
were cool, they were heavy and they were this Kentuckian congregation
of
a late night off road romp that went way overboard. The differences are
clear. BOC's got every bit the hammer crashing appeal of the former,
only here's where the Heavy Metal homage comes in; you're flashing from
Loud Rock to Death Cult to Heroes of Metal in one quick discharge of
the
buckeye, led through the gates of Valhalla to the house on the hill
where the stench of madness beckons in the misty twilight. The first
four tunes are instant classics-and why not, they've had about twenty
years to mellow-"Kill For Rock n' Roll," "Holy Transformation," "Hot
Southern Nights," and "Curse Of The Witch," speed laced sign of the
hammer sincerity with a pinch of Skoal and goddamn, more chops that Mr.
Bunyon could lay out on an all night caffeine binge! Yes, trace
elements
of the mighty ones propel the god-like riff, hints of Odin, Osker, and
evil fantasies with "Denim & Leather" clad choruses and a grueling,
gurgling, ghoulishly good time at the living's expense and only a few
dozers near the end.
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