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Bloodlet
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| By
Tate Bengtson
After several years of inactivity, Bloodlet has finally unleashed its
follow-up to the well-received The Seraphim Fall. On past releases,
Bloodlet was one of the most evil-sounding hardcore bands around. A
dark
aura of anger, pain, misery, and even a generous touch of good ol'
fashioned evil saturated previous albums with an almost enigmatic
density, a grimly metallic heaviness that bludgeoned the skull without
mercy. Sadly, that aura hasn't been maintained with the new release.
Don't get me wrong, Three Humid Nights... is an acceptable return for
Bloodlet, but it's definitely not a return-to-form. The album relies to
a greater extent on mallcore jump rhythms and a few so-called "tribal"
percussion patterns, the guitars lack that massively layered depth
despite a fine Steve Albini production, and there is an increased use
of
clean vocal passages. While I respect the band's decision to update and
develop its sound, for such gives me some assurance that this
reformation was genuine and done for reasons beyond simply recapturing
past glories, at some point during this process, that diabolically evil
nature of Bloodlet's past music was lost. And the new developments fail
to pick up that slack in any substantive way. In many respects, this
album sounds like a metalcored version of Enemy of the Sun-era
Neurosis,
although lacking the multidimensionality of that band and that album.
What we have instead is a fairly run-of-the-mill midpaced metalcore
album possessed of a rather contrived nastiness delivered through the
medium of well-composed but unremarkable songwriting tactics.
Ironically, if I were to offer a critique of Bloodlet's past albums, it
would be precisely the fact that the band's approach needed additional
variation and innovation in order to give it a greater dynamic. While
that was certainly accomplished with Three Humid Nights..., at the same
time, I can't say that the means employed to that end are particularly
enthralling. Thus Three Humid Nights... remains acceptable, above
average, at times even good...but also disappointing primarily because
Bloodlet has failed to capture that distinctive vibe which made its
other albums special in their own right.
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