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Virgin Black
"Sombre Romantic" |
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Vinnie Apicella Virgin Black could well be the band that catapults The End Records
into listener consciousness. Always known for producing highly
acclaimed
but usually "sleeper" acts spanning the realms of avant-garde Black
Metal music that's usually a little too advanced for either mainstream
consumption or genre defined tradition, Virgin Black creates and
stretches their own boundaries with a groundbreaking and breathtaking
new release that should serve their label well. For the patient
listener, "Sombre Romantic" becomes many things, not the least of which
is a full embodiment of classical music history throughout the ages.
For
those of a quick-triggered mentality, a simple scanning will reveal
several unique and likely palatable styles from among the ten choices.
Hailing from Australia, Virgin Black travels far and wide past any
previous points with this waking dream excursion and indeed defies
classification from moment to moment. With symphonic magnificence and
technical proficiency, song strength is emphasized over virtuosic
tendencies, which can often be overstated in a still formative genre
such as theirs. Subtle and smooth passages recall grandiose operatic
displays often broken into story like sequences-"Museum Of Iscariot," a
great example at midpoint, divided between "Stagnation," "Death," and
"Procession," all emotional wanderings unique unto themselves but very
necessary to the final outcome. Infrequent though forceful measures of
dark intensity make for dynamic interludes where sorrow turns to anger,
dread to damnation and distress to triumph. The songs, all amalgamated
and performed well in a manner beyond simple complimentary
Gothic/Operatic comprehension, house within themselves the likes of
Baroque, Brahms and Black in a dazzling display of power, fluidity and
enlightenment.
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