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Twisted Sister
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Vinnie Apicella
Their second installment of the "Club Daze" series, and considering the two
decades it took 'em to dig up these bones, another might be much more
unlikely. and then so too might be the fact that people again care about
Twisted Sister. The five made-up New York-based malcontents of a long
suffering Disco-era made their mark on the eighties' Metal scene like few
others could have dreamed-it was only in fact during their decline that
many others of the Glam-Rock variety became household accessories. Dee
and the boys made quite the splash at the dawn of the '80s, doing
their thing in and out of the clubs, making the scene by creating one; bore
of a bizarre image and blistering tunes that would became synonymous
with parental discontent. "Volume II" picks up where the first left off
but in a more intimate "in-house" fashion with many of the tracks
pulled from rare footage of radio show performances and dusty master tapes
of poor but acceptable quality. Choice cuts include the catchy "Follow
Me," "Under The Blade," an even cruder form of the original title track
from the '82 release, "Come Back," and "Can't Stand Still." The band's
knack for reviving their Rock & Roll heroes of the past bring the
"evening" to a rousing conclusion with Little Richard's "Long Tall Sally" and
Chuck Berry's "Johnny B. Goode," but it's those rare, never before
heard moments from the preceding originals-a few expected clunkers like
"You Know I Cry" and "Plastic Money" notwithstanding-well let's face it,
to get anything remotely palatable out of something this old and
not surprisingly far off from the future TS sound, is gravy. An added
gold star to the collection comes by way of two previously
unrecorded originals at the forefront; two rip 'em up anthems called "Never
Say Never," prophetic in that we're talking about band who will
reunite indefinitely, and "Blastin' Fast And Loud," words first heard
way back-took me a while to figure it out-on the "You Can't Stop Rock
'N Roll" cut from the same titled 1983 release. Both tracks get the
sweat glands going right off, originally bore of "Stay Hungry" session
drum tracks and recently blazed over by the current TS players, new,
but vintage "Can't Stop." era TS. The band ended suddenly and all
too quietly with '87s "Love Is For Suckers" failure and considering all
they did and the impact they made, were to be afforded a misstep and
probably could've gone forward but chose not to. The fact that they're back
in one form or another signifies their intent to go out in a blaze of
glory rather than the sputtering fumes of fourteen years before.
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